Mono in – stereo out.ĭelay Reverse: Delay time, Feedback, Tone. Big Sky’s inspired, 4 heads, even spacing. Mono in – stereo out.ĭelay Magneto: Delay time, Feedback, Chorus. Resonating LP filter is inside feedback loop. Mono in – stereo out.ĭelay LP: Delay time, Feedback, 4pole LP filter Freq. Resonating HP filter is inside feedback loop. Stereo in – stereo out, mono in – stereo out.ĭelay HP: Delay time, Feedback, 2pole HP filter Freq. Mono in – stereo out.ĭelay Comb: Freq, Resonance, +- Feedback. Mono in – stereo out.ĭelay Tape: Delay time, Feedback, Heads Ratio. Mono in – stereo out.ĭelay Pitch Shift: Delay time, Feedback, +- 1 oct Pitch Shift in 1 semitone steps. Mono in – stereo out.ĭelay Freq Shift: Delay time, Feedback, +- Freq Shift. Mono in – stereo out.ĭelay Ping-Pong: Delay time, Feedback, Tone. Stereo in – stereo out, mono in – stereo out.ĭelay mono: Delay time, Feedback, Tone. Sample Rate Reducer: Amount, preFX Tone, post FX Tone. Stereo in – stereo out, mono in – stereo out. “Damping”: full CCW – most HF attenuation, full CW – no HF attenuation.īit Reducer: Amount, preFX Tone, post FX Tone. “Tone” control: bipolar, neutral in the middle (12 o’clock), CW – cuts lows, CCW – cuts highs. Web editor to select the desired effects and generate that “wav” file is to be done yet. Reflashing mode: hold both buttons for 10 sec. Will add the possibility to run freely available third party effects too.Įasy reflashing means the following: playing 40 sec long “wav” file with line level to CV input. I will provide the easy way of reflashing the factory effects with the desired ones in any order. FX AID runs 32 effects at once, but not limited to this amount. In an age where most musicians are attempting to free themselves from limitations, Aging’s ‘Sentenced To Love’ stands proudly as a genre record, one evoking the tradition of the jazz ballad, designed to swallow the listener into the dark cascade of its drama.Here is the biggest part of the available effects. This is no truer than on the album’s title track, a vampiric torch song whose crescendo soars with Ali Bell’s lamenting, tremulous vocals, which act as a midnight confession of a doomed romance. From the low lit, dive bar blues of ‘Nights In Amber’ to the gun out chase theme of ‘The Trapped Man’, the nameless cowboy ghost story ‘A Shadow On My Name’ and the redemptive odyssey of ‘Cursed With The Thirst’, Aging’s detailed mise-en-scene full of brass, double bass, simmering drums and reverb drenched guitars conjures the pantheon of noir cinema. Whereas previous records by the band have largely been improvised, the six brooding scenes that complete ‘Sentenced To Love’ reveal a new compositional rigour and emotional weight, whilst still retaining pockets of nocturnal improvisation, each carefully crafted to create their own distinct and filmic sound world. Chronicling tales full of obsession, longing, double crosses and murder, the same thematic and melodic gravitas is present in ‘Sentenced To Love’, largely due to a handpicked selection of musicians from Manchester’s avant-garde and experimental music scenes being involved in both. Led by David McLean, Aging’s fourth album is a direct continuation of the music he was commissioned to make during his 2017 Samarbeta Residency with The Crime Scene Ensemble, a 15 piece band of actors and jazz musicians formed to live soundtrack the short stories of pulp fiction writer and collage artist Phil Carney. ORDER LP HERE -> SUBSCRIBE to the Gizeh email list for the latest news, exclusive offers, pre-orders and tour dates -> bit.ly/2DYsIcE ‘Sentenced To Love’ is the pinnacle of the band's work. Directly influenced by the film noir tradition and the hardboiled detective novels of yesteryear, Aging craft gloom heavy mood music that aspires to create a cinema without image.
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